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Taboo 'Snow White' Shocks Trinity

By Elizabeth Agresta

The performers sat still on the stage as the audience filed into Goodwin Theater - except for the show's mastermind, 26-year-old North Carolina native Ann Liv Young. Young's show, "Snow White," a retooled version of the Disneyfied Brothers Grimm fairytale, has toured much of Europe and has been performed in New York City.

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Cat Power: Chan Marshall's Second Cover Album Showcases Unique, Fresh Talent

By Sara Yoo

When most artists attempt covers, the results are usually dreadful (Lindsay Lohan's remake of Stevie Nicks' "Edge of Seventeen" is enough to give anyone the corny chills) - unless that artist, of course, is Chan Marshall (alias Cat Power). Jukebox, Marshall's second full-length album of covers, which includes new interpretations of familiar artists such as Bob Dylan and Frank Sinatra, veers in a slightly different direction from the sparse, melancholy Covers Record of 2000.

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Cutoff Frequency Rocks Pike House

By Elizabeth Agresta

Saturday night marked the first Late Night this semester, with the Asian American Student Association (AASA) and the brothers of Pi Kappa Alpha (Pike) hosting a welcome back party featuring Stratford, Conn.-based band, The Cutoff Frequency, of which Alex Dancho '08 is a member (and the only Trinity student in the band).

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Oscar Nominations Favor Dark Films; Fate of Show in Doubt Amidst Strike

By Katy Nolin

In a week of sad entertainment news, the Academy of Motion Picture Arts and Sciences released its nominations for the 80th annual Academy Awards. Almost mirroring the somber tone in Hollywood, a much darker current underscored the nominations, with No Country for Old Men and There Will Be Blood garnering eight nods each.

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Heath Ledger: Untimely Death of a Great Talent

By Jenny Moor

In a recent interview with WJW-TV, a Fox affiliate in Cleveland, Heath Ledger shared the perspective he had acquired by becoming a parent, saying, "You learn more about yourself through your child, I guess. I think you also look at death differently. It's like a Catch-22: I feel good about dying now because I feel like I'm alive in her, you know, but at the same hand, you don't want to die because you want to be around for the rest of her life.

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